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As well as the previously available ability to automatically counter input Gain increases with Output Level attenuation by holding the Alt key while adjusting either, the new Unity Gain button disables the Output Level knob and makes the same adjustment for you in the background.
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Next to that, the Side Chain button activates an external sidechain input - useful when mastering stems that need to be limited to match a full master, or for creative purposes. On the left, the DC button applies subtle pre-limiting DC offset filtering for the correction of asymmetrical 0dB displacement. The new limiting Styles - found in the Advanced slide-over, which still also contains the Lookahead, Attack and Release controls - take the number of genre-tuned algorithms up to eight. Slow is a half-speed version of the original behaviour which is still onboard Slow Down has the display snap quickly left when the waveform reaches the right hand end and Infinite compresses the waveform by half every time it fills the display, in order to keep everything played back thus far visible. The first thing upgrading owners of the original Pro-L will notice upon launching its souped-up sequel is the new widescreen GUI. Seven years later, version 2 improves on many of the features that made its predecessor such a success, and adds enough new ones to easily qualify as a generational advance. When first released, the Pro-L limiter plugin, from renowned Dutch software house FabFilter, bagged top marks in our review thanks to its innovative level display, simple control set and amazing sound.
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What was already a first-choice limiter is now even more essential, with expanded scope for both mixing and mastering.